Denny’s works monitor the changes in the display technology of media installations in which the heavy rectangular monitors and large projectors are increasingly disappearing as a manifest, physical part of many works and are being replaced by flat screens and quiet and barely perceptible beamers. With a modicum of nostalgia, he comments on the thinness and loss of depth that make up the aesthetic of these objects today.

The artist’s favorite subject matter is the television (and our watching of it). By using iPads, cell phones, and other display screens or also by compiling television programs lasting several hours and presenting them in art institutions as well as in (semi-) public spaces like hotel lobbies, waiting areas in district offices, and train stations, he has revealed television to be a multiple, fragmented, and contradictory medium, and by doing so prevents the easy identification with stereotyping strategies oscillating between educational fantasies and cultural-critical defamation.

Solo exhibitions (selection)

Group exhibition (selection)